Sly James Illustration

Here’s an illustration of Kansas City Mayor Sly James that I did for the August issue of 435 Magazine.

435 - August '14 - page 60

Maggie Illustration

Here’s a spot illustration I did for the August issue of 435 Magazine.  They were looking for something similar to a Fancy Nancy style.

Maggie
Actually, this is version 2.  In version 1, they wanted her to be holding a cap gun, the reason for which makes sense when you read the article.  But then they decided maybe they didn’t want to run an image of a little girl holding a very realistic-looking toy gun.  Especially after the still-recent Jewish Center shooting.  So, they had me change it.

Here’s the original:

MaggieAnd here’s the tear sheet:

435 - August '14 - page 120

Home Owner’s Association Illustration

Here’s an illustration I made for the August issue of 435 Magazine.  It goes with an article about Home Owner’s Associations.

435 Magazine - HOA Article

This image is available at shutterstock here.

See, Talk

A couple of tiny spot illustrations for a 1st grade textbook for Hart McLeod.

Copyright © 2014
Hart McLeod Ltd.

My Entry for the Tomie dePaola Award

Here is my entry for the Tomie dePaola Illustration Award given by the SCBWI. The prize is a trip to New York to attend the SCBWI winter conference, lunch with Tomie dePaola (he’s been an illustrator for over 40 years and illustrated nearly 250 books), and some sort of little award presentation. Getting Ready in the Morning The prompt was:

Visual sequence is key to conveying feeling, action, storyline, interest and character, especially in children’s book illustration. One of the hardest things to do is to know your character so well—what he, she, or it looks like, how they move, how they project emotion, and at the same time to make the character immediately recognizable and consistent —all without resorting to a generic depiction, but making sure your character has charm, individuality and special qualities that make young readers fall in love with them. All of this is the same whether your character is human, animal, and yes, even vegetable! (Maybe inanimate as well) The task is to create a six-panel sequence that has a beginning, middle and an end that is obvious, featuring a character of your own invention. It can be funny, sad, dramatic or ordinary, but interesting and with lots of invention and finesse.

So, this piece was designed to be a bit of a sampler. It has close views and distant views, a variety of expressions, a couple of challenging poses, a consistently drawn character (I hope!), and a bit of humor in an otherwise ordinary daily routine.

The girl is biracial because biracial children are under-represented in children’s literature and it allowed me to have her really fighting with her hair in panel 3. Two birds, one stone.

The monster is there because I had some empty space in the panels and it added humor and complexity. And I was a little bored.  Hopefully, though the series has a clear conclusion, you’re still left wondering, just a little, what’s the deal with the monster?

This is merely round 1 of a two-part contest. The second part won’t be announced until the 10 finalists are chosen. Wish me luck!

Update:
I didn’t get into the semi-finals, which is disappointing.  They showed the semi-final entries, and I think most of them were better than most of the ones for last year’s prompt.  So, congrats to everyone who entered and made it into the second round!

For future reference:
I think this competition is looking for illustrations targeting the preschool age range and he likes humorous, whimsical illustrations.  I think I should have entered a reformatted version of this or a colored, more finished version of this and I might have done better.

Mouse with Mushrooms

A few days ago I was in the mood to take requests.  Elaethyra asked for a mouse sitting on a mushroom using another mushroom as an umbrella.  Well, the rainy April weather’s been particularly inspiring for that sort of piece, so here you go.

Mouse with Mushrooms

I was playing with Kyle’s Real Watercolor brushes, which are rather impressive Photoshop brushes.

Don’t Make the Grizzly Angry

Cartoon-Girl-Animals-500

This was an experimental piece.  I was practicing several things.

– Cartoon females in this sort of bit-headed cute style.
– Expressive poses (body and face)
– Full background

I’m not really sure what’s going on in this scene except that it’s probably not a good idea for a cat to tick off a grizzly.

Since this was an experiment, I welcome critique and feedback on this piece.