Illustrations for Redemption Press
1 of 18
I recently finished a series of illustrations for a book titled The Wonder At The Well by Vicky Wedel for Redemption Press. By the publisher’s name, you can guess this is a story for the religious market. It tells the biblical story of the Samaritan woman who met Jesus at the well and was so moved by what He said that she immediately went to bring most of her village to come listen to and learn from Him.
Nothing against the story, but it’s not the most visually interesting tale. It’s basically just people talking in every panel. Talking about something that a Christian audience would find very important and inspiring, of course. But still just talking.
However, there was one interesting challenge. I’m sure you’re all aware of the controversy about how to best depict Jesus in art today. Historically, most cultures generally depicted Him as looking like themselves. So, in Asia, He looked Asian. In Africa, He looked black. And in America, He’s usually depicted as white. That’s not necessarily a problem except that, unfortunately, at least in the US, there’s been a lot of White Nationalism that’s become attached to the image of White Jesus. To avoid the stink of that, many Christians here now prefer a more historically accurate Brown Jesus. But not everyone.
To sidestep the whole messy issue, the author on this project decided she just didn’t want His face shown clearly in any of the images. She wanted all back views and obscured views. Nothing straight on with any clear details to his face.
So, the unique challenge for me was to illustrate this story so that it’s not just a series of back views of Jesus. To be clear, there are some back views of Jesus. It couldn’t be avoided. But I’m very proud that I managed to make sure it wasn’t all back views.
Here’s our first one. It shows Jesus’ back, but also the narrator, townspeople, and the town in the distance.

Another thing to note is the speech bubble. This project is drawn using comic book elements including speech bubbles and panels. This panel is a two-page spread with a quarter-inch bleed. I’m not including the text of the manuscript in these art samples, only the art.









