Bass Reeves

Here’s an illustration of Deputy US Marshal Bass Reeves riding out of Fort Smith, Arkansas with a warrant in hand. Bass Reeves was the first black Deputy US Marshal west of the Mississippi. He is thought to be the real-life inspiration for The Lone Ranger. He did not have an Indian sidekick named Tonto (which is offensive on a couple of levels) but he did have friends among the indigenous tribes living in the Oklahoma and Indian Territories. The story is that he fled to Oklahoma Territory after he learned about his emancipation from slavery after the Civil War. There he learned several native languages and how to shoot and track. Those skills and contacts, along with his own ingenuity, later helped him track down the outlaws he was charged with capturing as a Deputy US Marshal. Upon his retirement, he had over 3,000 arrests of felons on his record and had killed 14 outlaws, an impressive tally which inspired many stories.

I used some artistic license to give him a white horse, like The Lone Ranger, and the traditional white hat of the western hero. The Fort Smith courthouse is drawn how it looked sometime in the 1870s. I used several reference photos for both the courthouse and Bass Reeves himself.

The font I used on the bottom is named Nashville and designed by Disturbed Type. I like the eroded look to it. I hand drew the letters for his name using the font Tagwood by Intellecta Design as a guide.

An illustration of Deputy US Marshal Bass Reeves riding out of Fort Smith, Arkansas with a warrant in hand.  Bass Reeves was the first black Deputy US Marshal west of the Mississippi.

The Neighborhood’s Night – Page 9

Here’s the 7th illustration for the book project I just finished for Learning A-Z. Page 9 of The Neighborhood’s Night by Juliana Catherine.

Here Leena’s family is getting settled a bit when a family they’re friends with shows up. The woman, Saanvi, is wearing a sari because I’ve seen Indian women in my neighborhood wear these, but I’ve never actually drawn one. So, when the client said they wanted me to make her Indian, I decided to go ahead and give her this traditional outfit while I was at it. It was fun to draw. I kept the decorative pattern really simple, though, because I didn’t want her clothes to have way more detail than the clothes of the other characters in the story so that it looked inconsistent. I do hope I drew it right.

It just occurred to me that I don’t think I drew anyone with glasses on in this story. I should have done that. Oh well. Mental note to self to put some glasses in the drawings for my next project, if possible.

An illustration for page 9 of The Neighborhood's Night by Juliana Catherine.  Leena's family is just starting to get settled on the cots in the gym when a family they're friends with walks in.

The Neighborhood’s Night – Page 8

Here’s the 6th illustration for the book project I just finished for Learning A-Z. Page 8 of The Neighborhood’s Night by Juliana Catherine.

Here Leena’s family makes it to the emergency shelter, which is the gymnasium at a school a safe distance from the wildfires. The important points of this illustration are to show the three families standing in line at the front, that they’re in a gym, and that there’s a crowd of people already there. Since I didn’t want the crowd to make the background too busy and distract from the foreground people, I made them fade from minimally colored at the front, to completely gray at the back. The color in the room also fades a bit as it recedes into the distance.

It was important to the client that I show diverse families, because they wanted to show that all sorts of people had been displaced by the wildfire. That’s why, in addition to Leena’s family, one family group consists of two women and a child and the other has a little grandmother and her grandkids, including one in in a wheelchair. The characters are a bit small to really show racial traits, but they do have a range of skin tones and hair color to indicate diversity. They also are diverse in the amount of stuff they managed to bring with them, either by affluence or by luck, it isn’t clear. One family group has several nice, big, rolling suitcases while Leena’s family just has some duffle bags and the third family doesn’t have any bags at all.

An illustration of page 8 of The Neighborhood's Night.  The scene is a school gymnasium set up as an emergency shelter with a crowd of people around cots set up on the floor.  Three displaced families stand in line in the foreground.  A woman at a table seems to be handling sign-ins.

The Neighborhood’s Night – Page 6

Here’s the 4th illustration for the book project I just finished for Learning A-Z. Page 6 of The Neighborhood’s Night by Juliana Catherine.

So, this is actually the full-wrap version of cover image, including a half inch bleed all around it. But it’s also going to be used on page 6 as a spot illustration. For that they’ll crop off about a quarter of the image from the left side and some from the top, bottom and right as necessary to fit the spot.

An illustration for page 6 of The Neighborhood's Night by Juliana Catherine.  This is an image of a neighborhood evacuating due to encroaching wildfires.

The Neighborhood’s Night – Page 5

Here’s the third illustration for the book project I just finished for Learning A-Z. Page 5 of The Neighborhood’s Night by Juliana Catherine.

In this one, it’s a bedroom at night, but red and blue emergency lights from the window and a white light from the hall are lighting it up. The girl, Leena, is running across the room with her shoes and emergency bag while her mom and little brother wait for her at the door. They’re about to leave the house because they’ve been ordered to evacuate.

An illustration for page 5 of The Neighborhood's Night by Juliana Catherine.  A girl runs across her bedroom to the doorway where her mother and little brother wait for her.  They are about to evacuate the house.  The room is lit by emergency lights from the window and white light from the hallway.