Number 147 of 150

Harriet Tubman (1822-1913) was an American abolitionist best known for her association with the Underground Railroad, the secret network of safehouses run by abolitionist activists to help slaves escape to free states, territories, and British North America (now Canada). Originally named Araminta Ross, she was born into slavery. After she escaped in 1849, she personally led an estimated 70 others to freedom as a conductor on the Underground Railroad. During the Civil War, she was a nurse, scout, and spy for the Union army. Later she was an activist for women’s suffrage and established the Harriet Tubman Home for the Elderly. More information about her life can be found here.

This illustration was created for Learning A-Z as part of a larger project. I used black and white photographs as references, but the quality of the surviving images were not ideal.

Have you ever noticed that in the earliest black and white photos, the subjects always had very serious, sometimes even unpleasant, expressions on their faces? This is because early film wasn’t very light sensitive and required the subjects to stay perfectly still for a fairly long time. Sometimes for several minutes. Sometimes in bright sunlight. It’s difficult to hold a smile that long, so they usually didn’t. The reference photos I had of Tubman all left me with the impression that she was perpetually annoyed. But, since that’s probably the fault of the photographic technology rather than a true reflection of reality, I toned it down quite a bit. Still, I didn’t want to go too far and make her smiley instead. I settled for something fairly neutral.

A cartoon illustration of famed abolitionist Harriet Tubman.  She is drawn isolated on white.  She's wearing a dark purple dress with a white ruffled collar and brass buttons.  Her hair is pulled back in braids.   

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."
Harriet Tubman

Number 146 of 150

Here’s our first president, George Washington. There were no photo references, of course, but there are quite a few paintings available that I was able to use as references. Again, this is an image created on commission for Learning A-Z.

A cartoon illustration of George Washington, first president of the United States of America.  Image is isolated on white.  He is pictured standing with one hand on his hip. He is wearing his typical white wig.  He has tall black boots, white breeches, yellow vest, blue and yellow coat, and a white shirt with high collar and ruffled cuffs.  His coat and vest have many brass buttons and the jacket has epaulettes.  

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."
George Washington

Number 145 of 150

Our next historical figure (or celebrity, depending on how you categorize him) is Jackie Robinson. He was the first black baseball player in Major League Baseball. He played for the Brooklyn Dodgers and earned many accolades throughout his baseball career. Although he’s most famous for breaking the color line in MLB, he had a long history of activism throughout his life. More information on him can be found here.

I did my best to match the historical details of the uniform as well as to get the likeness reasonably accurate.

A cartoon illustration of famous baseball player Jackie Robinson isolated on white in his Brooklyn Dodgers Uniform.   He is in an at bat pose, with his bat poised over one shoulder as if waiting for the pitch.  

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."
Jackie Robinson

Number 144 of 150

Continuing with our subset of illustrations of historical figures for Learning A-Z, this one is an illustration of Maria Tallchief, one of America’s first prima ballerinas and an Indigenous American. She was best known for her performance dancing the lead in “The Firebird” in 1949. More information about her can be found here.

The client wanted her pictured in something similar to her costume in “The Firebird”. But they didn’t want her in exactly that costume for copyright reasons. So, this costume is intentionally simpler than the iconic costume, but in the same color. Because all the images in this project were a standard height (the art itself, not the characters) I did have a bit of a problem with those feathers. They really should have been standing straight up, but that would have caused some problems if I had. Either I’d have had to make this one image taller than the standard size, which would throw off the layout, or I’d have to make this one character in a smaller scale than the rest of the characters, or I could make shorter feathers. When given these choices, the client decided to let the feathers hang sideways like this.

A cartoon illustration of Maria Tallchief a famous American prima ballerina.  She is wearing matching red leotard, tutu, pointe shoes, and a tall, feathered headdress. She is on pointe with one arm raised high and the other held lower.  

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."
Maria Tallchief

Number 143 of 150

We’re done with professions. Now we’re moving onto historical figures. First up is Frida Khalo.

She was a famous in influential Mexican folk artist. More information on her can be found here.

When I draw figures who need to look like specific, real-life people, I use lots of references. I need the references to make sure that the likenesses at least resemble the real person, but I also have to be very careful not to outright copy any of the references because it’s important to respect everyone’s copyrights. It can be a little tricky when you’re trying to make them look recognizably like them, but not exactly like that particular reference photo or painting of them.

I had references for her face, hair, a tutorial on how she did the thing where she braided her scarf into her hair, and several photos of her in various outfits. The outfit she’s wearing here is not anything she was ever pictured in and probably never actually wore, but it has elements of outfits from reference photos. Color references were particularly useful, since so many of her photos were black and white. In all, the process is a bit like a collage.

A cartoon illustration of Frida Khalo.  She is standing with her hands clasped in front of her waist.  Her hair is braided with a scarf and flowers on top of her head.  She has a loose white blouse, a long blue skirt with magenta dots, and black shoes barely visible past the hem of her skirt.  She is wearing earrings.  

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."
Frida Khalo

Number 142 of 150

Here’s an illustration of a police officer in uniform. This is the last illustration for the set of images depicting people in recognizable professions. This was made as part of a larger commission for the children’s educational publisher Learning A-Z.

One detail when drawing police for the children’s market is that you want to be careful about depicting guns. This might sound like a silly concern to have, but children’s publishing tends to be very sensitive about showing weapons. Particularly for the younger age ranges. Normally you just wouldn’t draw guns at all, but police in America are pretty much always armed. It would be weird to show them with an empty belt. It just wouldn’t quite look like a cop. But you also don’t want to show the weapon too blatantly for your audience. To solve this problem, I like to draw police officers turned slightly away from the viewer so that their hip holster is on the far side, either partially or completely hidden from view. In this case, she’s facing the viewer almost full-on, but her hand position obscures those blocky items on her belt. Undoubtedly one of those is her firearm, but it’s not too obvious.

A cartoon illustration of an Indigenous American or Alaskan Native woman in a police uniform. She's standing facing the viewer, both hands casually holding onto her belt buckle.  Her uniform includes a short-sleeved light blue button-down shirt, black pants, black shoes, and a traditional police hat.  She has various accessories on her uniform including a small walkie-talkie attached to her shoulder, a badge, shoulder patches, and a body camera.  Her forearms and hands obscure several bulky items on her belt, making it difficult to identify them specifically.  Her long hair is in two braids down her back.  

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."
A Police Officer

Number 141 of 150

This is a cartoon illustration of a commercial airline pilot in her traditional uniform. It was part of a larger commission for Learning A-Z. This set depicts diverse people with recognizable occupations.

I was pleased that this one called for a woman with short hair, since we hadn’t had many of those so far in the project. I also kept forgetting to add jewelry to people, since it was rarely mentioned in the specs. For this one I made a point to give her earrings and a wedding ring to make up for that previous oversight. I don’t remember why she didn’t get a pilot’s hat, but there was probably a reason.

Did you know that there is a reason the flight crew greets the passengers with one hand behind their backs like this? It’s nothing nefarious. They have a little counting device that they use to count the number of passengers that board the plane. They want to make sure it matches the number of tickets scanned. (Either stowaways or missing passengers would be bad.) They keep the device behind their back because they are trying to be discreet about it.

A cartoon illustration of a light-skinned black or mixed-race woman wearing a traditional pilot's uniform.  She's standing casually, looking at the viewer, mouth slightly open. One hand is waving while the other is behind her back.  Her hair is in a natural, shorter style. 

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."
A Commercial Airline Pilot

Number 140 of 150

This is a cartoon illustration of a park ranger giving a presentation about a red-tailed hawk. This image is part of a subset of illustrations within the larger project depicting people with recognizable professions. The project was commissioned by Learning A-Z to be used in a Build-A-Book application for children. As always, the image was created digitally in Adobe Photoshop using my cintiq tablet.

This one was fun to draw because I used a photo reference from my own personal photos. This hawk is based on the one that came by years ago and perched on my back fence for several hours. It was a very good model and let me get very close to get some nice shots. So, drawing this brought to mind a memory of a really special afternoon for me.

This final image was also way different than the original specs. Originally, this was supposed to be a woman park ranger with a park map she was pointing to. But that pose was fairly unworkable if we wanted to both see the content of the map and have the woman viewed from the front, looking at the viewer at eye-level. Which they did. Also, holding an unfolded paper map usually requires two hands, then a third would be needed to point. Additionally, the specs for this section were too heavy on women, and we already had a Middle Eastern woman with a prosthetic leg previously in the project. That was why it was decided to switch this one to a man.

It was my suggestion to change the pose to the park ranger doing a nature presentation with an animal, which the client liked. I suggested several animals, but I was really hoping they’d go for the hawk. Which they did.

A heavyset Middle Eastern man dressed as a park ranger.  The character is isolated on white.  He is standing as if giving a nature presentation.  He's holding a red-tailed hawk on his left hand, which is protected by a long leather falconry glove.  He has a shorter glove on his other hand.  His uniform includes brown shorts, a light brown, button-up ranger shirt with badge, and a traditional brimmed park ranger hat.  He is wearing sneakers, and his left leg is prosthetic.  He has a goatee and short hair. 

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."
Park Ranger with Red-Tailed Hawk

Number 139 of 150

A cartoon illustration of a construction worker or contractor. He’s got the safety vest, helmet, ear protection, walkie talkie, probably even steel-toed boots. I think he’s the contractor, since he’s carrying the plans.

A cartoon illustration of an East Asian
man dressed as a construction worker or contractor. He's standing casually.  Under one arm is a long rolled up set of blueprints.  The other hand is holding a walkie talkie.  He is looking at the viewer with a neutral expression.  He's wearing jeans, work boots, long-sleeved t-shirt, a bright neon yellow reflective vest, a hard-hat, and has protective ear wear around his neck.  

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."

Number 138 of 150

A chef. Probably from a more upscale restaurant, if they’re wearing the traditional chef’s uniform.

This is image 138 of 150 images commissioned for Learning A-Z. Each one is a cartoon drawing of a person isolated on white. Diversity was a key priority in the series and so the characters represent many different races, ethnic groups, genders, ages, and included individuals with visible disabilities. Previous batches were focused mostly on children, but this batch are all adults.

A cartoon illustration of an androgenous Hawaiian / Pacific Islander dressed in a traditional chef's uniform.  They are standing casually.  One hand is holding a medium sized stainless steel mixing bowl.  The other hand is holding a large stainless whisk that's hovering over the bowl.  They are looking at the viewer.  The chef's uniform includes black and white checkered pants, long white apron tied at the waist, white chef's coat with buttons, and a chef's hat.  

The image is watermarked with the artist's logo and a line of text noting the client's copyright as, "Copyright (c) 2022 Learning A-Z.  All rights reserved."