Here’s a furry monster I sketched yesterday while playing Dungeons & Dragons. A quick pencil sketch.

Here’s a furry monster I sketched yesterday while playing Dungeons & Dragons. A quick pencil sketch.

I think I’ll post some sketches. Here’s one I drew today between turns in a game of Dungeons and Dragons with my husband and daughters.

Here’s a mermaid I drew while procrastinating.

I sketched this today because I broke my foot last week. This is the boot I’m now wearing. Apparently, they don’t put you in a cast for a broken foot anymore. Instead, you wear this thing.
(I’m fine. It only hurts if I bump it. I’ll probably be able to walk on it in a couple of days. I fell because my foot went sideways when stepping in a pothole in a patio at a local restaurant. Apparently even outdoor dining is dangerous.)

Here’s an illustration of Deputy US Marshal Bass Reeves riding out of Fort Smith, Arkansas with a warrant in hand. Bass Reeves was the first black Deputy US Marshal west of the Mississippi. He is thought to be the real-life inspiration for The Lone Ranger. He did not have an Indian sidekick named Tonto (which is offensive on a couple of levels) but he did have friends among the indigenous tribes living in the Oklahoma and Indian Territories. The story is that he fled to Oklahoma Territory after he learned about his emancipation from slavery after the Civil War. There he learned several native languages and how to shoot and track. Those skills and contacts, along with his own ingenuity, later helped him track down the outlaws he was charged with capturing as a Deputy US Marshal. Upon his retirement, he had over 3,000 arrests of felons on his record and had killed 14 outlaws, an impressive tally which inspired many stories.
I used some artistic license to give him a white horse, like The Lone Ranger, and the traditional white hat of the western hero. The Fort Smith courthouse is drawn how it looked sometime in the 1870s. I used several reference photos for both the courthouse and Bass Reeves himself.
The font I used on the bottom is named Nashville and designed by Disturbed Type. I like the eroded look to it. I hand drew the letters for his name using the font Tagwood by Intellecta Design as a guide.

Here’s a personal piece I just finished. I’ve been playing Dungeons & Dragons with my family and I think it’s sad how orcs are depicted as just a bunch of mindlessly aggressive monsters. They have families, right? They must. So, here’s a candid portrait of an orc dad and his offspring.

Page 14 doesn’t have an image, so we skip on to page 15 from The Neighborhood’s Night by Juliana Catherine. This is the last illustration and the end of the book.
It’s not a completely happy ending because, even though Leena’s back in her own home, Amaya’s family lost their house. This is supposed to be a “tough subjects” series, so a not entirely happy ending is appropriate. But it’s not all bad because Amaya has sent Leena a letter saying how they found a place to live and are doing okay. They even sent pictures.
I made sure it’s the same couch and wall as page 4 so it’s definitely the same house. It comes full circle.

Here’s the 11th illustration for the book project I just finished for Learning A-Z. Page 13 of The Neighborhood’s Night by Juliana Catherine.
This is the last one set in the school gymnasium. Amaya is crying after learning Juana’s news. Their house didn’t make it.

Here’s the 10th illustration for the book project I just finished for Learning A-Z. Page 12 of The Neighborhood’s Night by Juliana Catherine.
In the gym again, this time all crowded around a new character, Juana, who is covered in ash.

Here’s the 9th illustration for the book project I just finished for Learning A-Z. Page 11 of The Neighborhood’s Night by Juliana Catherine.
This one is another gym scene. Almost like the camera pulled backwards from the last illustration.
